My artwork inspired by Hugh Ferris

My Artwork inspired by Kristen Eyfells

My Artwork

7A)

My artwork of Bill Cosby, Comedian inspired by Kristin Eyfells.
Pencil and oil on paper.

Kristen Eyfells uses bold, striking colours to enhance the overall image. In order to capture the seamless blend of colours, I have layered a variety of colour combinations to create my own colours.

I feel I have come up with an adventurous approach to my mixed media pieces. Around the eyes, Eyfells has included a mix of colourful, abstract patterns to capture the viewer.

The facial feature which I found most unusual was the lips. The slow transition of the reds and purples is almost surreal, in comparison to the pattern around the eyes where the colours are separated by each hue.

7B)

For further enquires e-mail: tarotsonia@outlook.com

My Skull illusion inspired by M.C Escher

8A)

My skull illusion-part inspired by M.C. Escher's Eye piece.

For further enquires e-mail: tarotsonia@outlook.com

  

My artwork inspired by John Virtue

John Virtue - Architecture

9A)

2 A2 paintings (above): in the style of John Virtue.

For further enquires e-mail: tarotsonia@outlook.com

My artwork inspired by Emil Nolde

10A)

My A1 mounted sheet inspired by the artist Emil Nolde.

Emil Nolde is unique because his style of artwork is quick, messy and child-like, whilst at the same time looking refined. It is important that as part of the expressionism era, Nolde painted on location.   

His work is multi-sensory as Nolde communicates the treacherous conditions he had to endure, all condensed into this one single picture.   The sheer beauty of Nolde’s work is the way he expresses the volatility and ferociousness of God’s destruction, whilst at the same time, conveying the anger or difficulty he must have felt in trying to actually paint the picture. Due to Nolde’s limitations in showing precision in his work, contrast and juxtaposition have been deeply emphasised. Nolde’s use of textures, layering and brush stroke movement conveys the feeling and thought he must have felt psychologically.  Nolde’s use of paint is splattered in different places to suggest a see-draw attitude. Although Nolde uses non-representational colours, his work is almost more realistic than any other landscape picture. Instead of being a luscious, serene and calm planet, Nolde shows the world in its true colours- a motivation of his that he has showcased throughout a number of his pieces.

For further enquires e-mail: tarotsonia@outlook.com